So how are you now playing this role as this progresses?ĭOWNEY JR: Yes, Well, I would counterpoint that by saying that I thought that the third Iron Man was about him transcending his dependence on the merits of continuing to wear your wound.
Where is Tony now at this point because by the end of Iron Man 3 there’s a real sense that he doesn’t wanna wear the suit and he doesn’t wanna be the physical guy doing it.
And I remember the first time saying, “Look, scene one should be Tony.” And he was like, “Alright, scene one isn’t Tony.” I was like, “But it should be!” As it turned out it was really smart the way it all worked out for everyone. I didn’t feel necessarily the stress of it, but I could tell that it was a little bit of a different approach to the process. Because Avengers was so – I don’t wanna say disorienting – but it was a thing where it was like this very kind of well-managed, compartmentalized attempt to do something unprecedented. Honestly I didn’t really even get to know Joss until we started this movie. Were you kind of privy to where he wanted to go with Tony, with the Vision and Ultron and everyone?ĭOWNEY JR: Not really.
#Full annie jr script movie
Joss mentioned he had a lot of ideas for the second Avengers movie even before he took on the first Avengers movie. I always love – you’d think was like the ingredients to that salad dressing that makes girls go into labor. Even as we’re setting up shots he’s going, “I know what I want it to be,” or bringing back in a line that was in the first draft or whatever. Then I read the second and then the third draft, and he’s continuing to write. Who wrote it?” “Shane Black.” “I like it.” This time I think that from jump I thought, “Wow, this is really what Avengers: Age of Ultron should be.” But I was done with the first draft and I said, “Cool, I like it.” Kevin was like, “Wait, what did you just say?” I’m sure there was a bunch of iterations and things that changed over time. So to me, this kind of started with the third Iron Man, which is like, “Alright, I'm going to read the script. At this point, as the Mayor of Marvel, there’s going to be so many squeaky wheels along the way, many of them practical and others just creative departures or differences or whatever. Well, first of all, he’s a good writer, so I always tend to think generally speaking,”Is this a movie I wanna see?” Because all the fine points are going to get worked out. Talk a little bit about your reaction when you first got the script from Joss and how it’s changed since you first got it? had to say.Ĭlick here to listen to the audio of this interview. Hit the jump to read or listen to what Downey Jr. talked about his reaction after reading the script, where Tony is mentally after the events of Iron Man 3, Tony’s relationship with Ultron, Paul Bettany as The Vision, Scarlet Witch, how Whedon leans on Stark's credibility to deliver exposition, and a lot more. During a 20-minute interview, Robert Downey Jr. While most of what we saw and learned is still under embargo, Marvel/Disney is letting us post some of our on-set interviews. Last June, when Avengers: Age of Ultron was filming outside London, I got to visit the set with a few other reporters. A few seconds later, director Joss Whedon calls cut. Stark has come to the location to investigate why weird things are happening and as he types, studies the monitor and talks to himself, it's clear he's starting to get some answers. While it's not officially named, the room is an extremely vital component of the World Wide Web with astounding access to information. Tony Stark ( Robert Downey Jr.) is in a large room with sky-high ceilings using a two-monitor computer terminal with additional 20-foot tall computers loaded with lights and other components all around it.